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77 Things You Should Know About Japanese Style Garden Ideas Uk

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77 Things You Should Know About Japanese Style Garden Ideas Uk | Modern Japanese Garden Ideas

  1. A hermitage garden is a small garden usually built by a samurai or government official who wanted to retire from public life and devote himself to study or meditation. It is attached to a rustic house, and approached by a winding path, which suggests it is deep in a forest. It may have a small pond, a Japanese rock garden, and the other features of traditional gardens, in miniature, designed to create tranquility and inspiration. An example is the Shisen-dō garden in Kyoto, built by a bureaucrat and scholar exiled by the shogun in the 17th century. It is now a Buddhist temple. Source: Internet
  2. Bridges could be made of stone (ishibashi), or of wood, or made of logs with earth on top, covered with moss (dobashi); they could be either arched (soribashi) or flat (hirabashi). Sometimes if they were part of a temple garden, they were painted red, following the Chinese tradition, but for the most part they were unpainted.[39] Source: Internet
  3. Japanese gardens always feature water, either physically with a pond or stream, or symbolically, represented by white sand in a dry rock garden. In Buddhist symbolism, water and stone are thought of as yin and yang, two opposites that complement and complete each other. A traditional garden will usually have an irregular-shaped pond or, in larger gardens, two or more ponds connected by a channel or stream, and a cascade, a miniature version of Japan's famous mountain waterfalls. Source: Internet
  4. Stones are another fundamental element in Japanese garden ideas. They’re rarely used alone. Instead they are usually found in repeat patterns, with each stone placed in a particular position. It's all about placement. Source: Internet
  5. When it comes to lighting, lanterns are a constant in Japanese garden design. They are usually made of stone and placed in a carefully selected location, providing both light and a pleasing aesthetic. Lanterns are often deliberately weathered, with moss encouraged to cover them for a naturally aged effect. Source: Internet
  6. Your starting point with Japanese garden ideas is to think of all things calming, serene and ordered. They're used as a place for contemplation, so it’s the perfect opportunity to keep the style simple. It’s all about attention to detail. For inspiration, think Japanese tea gardens or take a look at the temple gardens of Kyoto. Source: Internet
  7. Following Sen no Rikyū's rules, the teahouse was supposed to suggest the cottage of a hermit-monk. It was a small and very plain wooden structure, often with a thatched roof, with just enough room inside for two tatami mats. The only decoration allowed inside a scroll with an inscription and a branch of a tree. It did not have a view of the garden. Source: Internet
  8. Stepping stones in the garden of the first Kyoto Imperial Palace. These stones were originally part of a 16th-century bridge over the Kamo River, which was destroyed by an earthquake. [18] Source: Internet
  9. In Japanese gardens the dominant shade is green with a burst of colour here and there. As well as bamboos, the bright green grass Hakonechloa and Siebold’s wood fern, planting features neat evergreen hedges and trees that are pruned into softly domed shapes that look like undulating clouds. This technique is known as 'niwaki'. Source: Internet
  10. Japanese stone lanterns (台灯籠, dai-dōrō, "platform lamp") date back to the Nara period and the Heian period. Originally they were located only at Buddhist temples, where they lined the paths and approaches to the temple, but in the Heian period they began to be used at Shinto shrines as well. According to tradition, during the Momoyama period they were introduced to the tea garden by the first great tea masters, and in later gardens they were used purely for decoration. Source: Internet
  11. The most famous garden of this kind, built in 1592, is situated near the Tokushima castle on the island of Shikoku. Its notable features include a bridge 10.5 metres (34 ft) long made of two natural stones. Source: Internet
  12. During the Edo period, power was won and consolidated by the Tokugawa clan, who became the shōgun, and moved the capital to Edo, which became Tokyo. The Emperor remained in Kyoto as a figurehead leader, with authority only over cultural and religious affairs. While the political center of Japan was now Tokyo, Kyoto remained the cultural capital, the center for religion and art. The shōgun provided the Emperors with little power, but with generous subsidies for building gardens.[25] Source: Internet
  13. Several of the famous Zen gardens of Kyoto were the work of one man, Musō Soseki (1275–1351). He was a monk, a ninth-generation descendant of the Emperor Uda and a formidable court politician, writer and organizer, who armed and financed ships to open trade with China, and founded an organization called the Five Mountains, made up of the most powerful Zen monasteries in Kyoto. He was responsible for the building of the zen gardens of Nanzen-ji, Saihō-ji (the Moss Garden), and Tenryū-ji. Source: Internet
  14. In terms of furniture, Japanese design is based on clean lines and an uncluttered aesthetic, and this applies to the garden too. Choose the best garden furniture like elegant seats that are low level, modern in design and made of natural wood. Colours are best taken from a simple tonal palette that’s chosen from nature. Source: Internet
  15. Stone or gravel used in Japanese gardens, particularly rock zen gardens, is Shirakawa-suna or sand from the Shirakawa River in Kyoto, composed of granite, quartz, black mica, and white feldspar. For a local source in the U.S. that comes close, get pea gravel, which is tiny and smooth. Source: Internet
  16. Influenced by his time in Japan, expert pruner Jake Hobson founded Niwaki Ltd. He is interested in combining Japanese cloud pruning with a more European style which he calls organic topiary. ‘To me this implies natural shapes. I’m fascinated by the way pruning can add structure to the garden, the way volume and mass can unite the garden as a whole, combining the softer planting and the hard landscaping.’ Source: Internet
  17. A chashitsu or teahouse in Jo-an garden in Inuyama, from 1618. The simple and unadorned zen teahouse style began to be used on all Japanese buildings, from garden pavilions to palaces. This teahouse was declared a National Treasure of Japan in 1951. Source: Internet
  18. : The Zen Buddhist garden is meant to be seen all at once, but the promenade garden is meant to be seen one landscape at a time, like a scroll of painted landscapes unrolling. Features are hidden behind hills, trees groves or bamboo, walls or structures, to be discovered when the visitor follows the winding path. Borrowed scenery ( shakkei ) : Smaller gardens are often designed to incorporate borrowed scenery, the view of features outside the garden such as hills, trees or temples, as part of the view. This makes the garden seem larger than it really is. Source: Internet
  19. A Japanese garden requires very little elbow room. A small back garden or even a courtyard can easily be given an Oriental look. Of course, if you’re lucky enough to have a few rolling acres then you can really go to town - rather than transform your entire plot, it’s a good idea to hive off a corner or to convert an existing garden ‘room’. Source: Internet
  20. Stones, which constitute a fundamental part of Japanese gardens, are carefully selected for their weathering and are placed in such a way that they give viewers the sense that they 'naturally' belong where they are, and in combinations in which the viewers [sic] find them. As such, this form of gardening attempts to emblematically represent (or present) the processes and spaces found in wild nature, away from city and practical concerns of human life. Thomas Heyd, Encountering Nature[35] Source: Internet
  21. Part of a wider 10-acre garden, the tiered grounds are set across two levels; the that greets visitors on the top level is a must-see with a hidden surprise. The waterfall feeds into a glittering pond, surrounded by huge sandstone rockery, with a traditional ruby red Japanese bridge above it. Throughout, you can find a range of plants including Rhododendrons, Azaleas, Magnolias, Ferns, Acers and Water Lilies. Why not purchase a home-grown plant or shrub as a souvenir? While at Mount Pleasant, meander along their popular Sculpture Trail or uncover more secrets with an audio tour in the Candide app. Source: Internet
  22. Another notable garden of the period still existing is Sanbō-in, rebuilt by Toyotomi Hideyoshi in 1598 to celebrate the festival of the cherry blossom and to recreate the splendor of an ancient garden. Three hundred garden-builders worked on the project, digging the lakes and installing seven hundred boulders in a space of 540 square metres (5,800 sq ft). The garden was designed to be seen from the veranda of the main pavilion, or from the "Hall of the Pure View", located on a higher elevation in the garden. Source: Internet
  23. In the east of the garden, on a peninsula, is an arrangement of stones designed to represent the mythical Mount Horai. A wooden bridge leads to an island representing a crane, and a stone bridge connects this island to another representing a tortoise, which is connected by an earth-covered bridge back to the peninsula. The garden also includes a waterfall at the foot of a wooded hill. One characteristic of the Momoyama period garden visible at Sanbō-in is the close proximity of the buildings to the water.[22] Source: Internet
  24. The Tale of Genji, the classic Japanese novel of the Heian period, describes the role of the Japanese garden in court life. The characters attend festivals in the old Kyoto imperial palace garden, take boat trips on the lake, listen to music and watch formal dances under the trees.[65] Source: Internet
  25. Rock, sand and gravel are an essential feature of the Japanese garden. A vertical rock may represent Mount Horai, the legendary home of the Eight Immortals, or Mount Sumeru of Buddhist teaching, or a carp jumping from the water. A flat rock might represent the earth. Sand or gravel can represent a beach, or a flowing river. Rocks and water also symbolize yin and yang (in and yō in Japanese) in Buddhist philosophy; the hard rock and soft water complement each other, and water, though soft, can wear away rock. Source: Internet
  26. The first manual of Japanese gardening was the Sakuteiki ("Records of Garden Making"), probably written in the late eleventh century by Tachibana no Tohshitsuna (1028–1094). Citing even older Chinese sources, it explains how to organize the garden, from the placement of rocks and streams to the correct depth of ponds and height of cascades. While it was based on earlier Chinese garden principles, it also expressed ideas which were unique to Japanese gardens, such as islands, beaches and rock formations imitating Japanese maritime landscapes.[62] Source: Internet
  27. The Japanese rock gardens were intended to be intellectual puzzles for the monks who lived next to them to study and solve. They followed the same principles as the suiboku-ga, the black-and-white Japanese inks paintings of the same period, which, according to Zen Buddhist principles, tried to achieve the maximum effect using the minimum essential elements.[68] Source: Internet
  28. It is a good omen to make the stream arrive from the east, to enter the garden, pass under the house, and then leave from the southeast. In this way, the water of the blue dragon will carry away all the bad spirits from the house toward the white tiger.[15] Source: Internet
  29. Stone water basins (tsukubai) were originally placed in gardens for visitors to wash their hands and mouth before the tea ceremony. The water is provided to the basin by a bamboo pipe, or kakei, and they usually have a wooden ladle for drinking the water. In tea gardens, the basin was placed low to the ground, so the drinker had to bend over to get water.[41] Source: Internet
  30. Japanese gardens first appeared on the island of Honshu, the large central island of Japan. Their aesthetic was influenced by the distinct characteristics of the Honshu landscape: rugged volcanic peaks, narrow valleys, mountain streams with waterfalls and cascades, lakes, and beaches of small stones. They were also influenced by the rich variety of flowers and different species of trees, particularly evergreen trees, on the islands, and by the four distinct seasons in Japan, including hot, wet summers and snowy winters.[4] Source: Internet
  31. For more Japan garden ideas, be sure to include any form of bamboo accessories. Bamboo is fast growing, sustainable and durable. Use it to create fencing, screen areas or pathways and combine with wind chimes or water features for the ultimate Japanese garden effect. Source: Internet
  32. Other influential garden manuals which helped to define the aesthetics of the Japanese garden are Senzui Narabi ni Yagyo no Zu (Illustrations for Designing Mountain, Water and Hillside Field Landscapes), written in the fifteenth century, and Tsukiyama Teizoden (Building Mountains and Making Gardens), from the 18th century. The tradition of Japanese gardening was historically passed down from sensei to apprentice. The opening words of Illustrations for designing mountain, water and hillside field landscapes (1466) are "If you have not received the oral transmissions, you must not make gardens" and its closing admonition is "You must never show this writing to outsiders. You must keep it secret".[64] Source: Internet
  33. Water is another central element in Japanese gardens, especially if it’s of the flowing or tumbling kind. This can be achieved with a small pool (perfect for koi carp), waterfall or rill with water rippling over moss-covered stones. Large pebbles can be used to mirror the movement of flowing water and to create shimmering reflections. Source: Internet
  34. Use of rocks: in a Chinese garden, particularly in the Ming dynasty, scholar's rocks were selected for their extraordinary shapes or resemblance to animals or mountains, and used for dramatic effect. They were often the stars and centerpieces of the garden. In later Japanese gardens, rocks were smaller and placed in more natural arrangements, integrated into the garden. [54] Source: Internet
  35. A Japanese garden is a space for peaceful meditation and should be kept simple and natural. To make your garden look Japanese-inspired, incorporate the essential elements of stone, plants, water, and ornaments. Use plants sparingly and carefully: You won't see lush flower borders or succulents in an authentic Japanese-style landscape. Source: Internet
  36. Recent archaeological excavations in the ancient capital of Nara have brought to light the remains of two 8th-century gardens associated with the Imperial Court, a pond and stream garden – the To-in – located within the precinct of the Imperial Palace and a stream garden – Kyuseki – found within the modern city. They may be modeled after Chinese gardens, but the rock formations found in the To-in would appear to have more in common with prehistoric Japanese stone monuments than with Chinese antecedents, and the natural, serpentine course of the Kyuseki stream garden may be far less formal than what existed in Tang China. Whatever their origins, both the To-in and Kyuseki clearly anticipate certain developments in later Japanese gardens.[12][13] Source: Internet
  37. Koi ponds are also a popular feature for those who enjoy the Japanese aesthetic. Keeping exotic fish such as colourful koi carp can be an enjoyable hobby, and they’re very relaxing to watch as they splash around. Floral & Hardy could create a suitable pond for your koi, and add features such as a mini-waterfall or garden bridge to help you capture the Japanese look. Source: Internet
  38. Bridges first appeared in the Japanese garden during the Heian period. At the Byōdō-in garden in Kyoto, a wooden bridge connects the Phoenix pavilion with a small island of stones, representing the Mount Penglai or Mount Horai, the island home of the Eight Immortals of Daoist teaching, The bridge symbolized the path to paradise and immortality.[38] Source: Internet
  39. Awareness of the Japanese style of gardening reached the West near the end of the 19th century, and was enthusiastically received as part of the fashion for Japonisme, and as Western gardening taste had by then turned away from rigid geometry to a more naturalistic style, of which the Japanese style was an attractive variant. There were immediately popular in the UK, where the climate was similar and Japanese plants grew well. Japanese gardens, typically a section of a larger garden, continue to be popular in the West, and many typical Japanese garden plants, such as cherry trees and the many varieties of Acer palmatum or Japanese maple, are also used in all types of garden, giving a faint hint of the style to very many gardens. Source: Internet
  40. During the Shōwa period (1926–1989), many traditional gardens were built by businessmen and politicians. After World War II, the principal builders of gardens were no longer private individuals, but banks, hotels, universities and government agencies. The Japanese garden became an extension of the landscape architecture with the building. New gardens were designed by landscape architects, and often used modern building materials such as concrete. Source: Internet
  41. The early Japanese gardens largely followed the Chinese model, but gradually Japanese gardens developed their own principles and aesthetics. These were spelled out by a series of landscape gardening manuals, beginning with Sakuteiki ("Records of Garden Making") in the Heian Period (794–1185).[48] The principles of sacred gardens, such as the gardens of Zen Buddhist temples, were different from those of pleasure or promenade gardens; for example, Zen Buddhist gardens were designed to be seen, while seated, from a platform with a view of the whole garden, without entering it, while promenade gardens were meant to be seen by walking through the garden and stopping at a series of view points. However, they often contain common elements and used the same techniques. Source: Internet
  42. Japanese garden ideas are often about creating sanctuaries and this is in part a reflection of the importance of enclosure. Your space will already be framed with buildings and fences, so all you need to do is dress them in the right way. For an instant makeover rolled bamboo screens also deliver the right feel. Source: Internet
  43. Marine landscapes: Chinese gardens were inspired by Chinese inland landscapes, particularly Chinese lakes and mountains, while Japanese gardens often use miniaturized scenery from the Japanese coast. Japanese gardens frequently include white sand or pebble beaches and rocks which seem to have been worn by the waves and tide, which rarely appear in Chinese gardens.[55] Source: Internet
  44. Besides giving advice, Sakuteiki also gives dire warnings of what happens if the rules are not followed; the author warns that if a rock that in nature was in a horizontal position is stood upright in a garden, it will bring misfortune to the owner of the garden. And, if a large rock pointed toward the north or west is placed near a gallery, the owner of the garden will be forced to leave before a year passes.[63] Source: Internet
  45. In ancient Japan, sand (suna) and gravel (jari) were used around Shinto shrines and Buddhist temples. Later it was used in the Japanese rock garden or Zen Buddhist gardens to represent water or clouds. White sand represented purity, but sand could also be gray, brown or bluish-black.[34] Source: Internet
  46. When it comes to modern garden ideas that create a soothing oasis that rocks a peaceful Zen aesthetic the key is to keep planting minimal too. It’s very much a case of less is more. Stick to just a few types of plants such as bamboos and grasses with a dash of colour here and there from blossom, flowers or foliage. Think cherry blossom in spring, vibrant blooms from a camellia or azalea, or the fiery leaves of maple trees in autumn. Source: Internet
  47. One painter who influenced the Japanese garden was Josetsu (1405–1423), a Chinese Zen monk who moved to Japan and introduced a new style of ink-brush painting, moving away from the romantic misty landscapes of the earlier period, and using asymmetry and areas of white space, similar to the white space created by sand in zen gardens, to set apart and highlight a mountain or tree branch or other element of his painting. He became chief painter of the Shogun and influenced a generation of painters and garden designers.[69] Source: Internet
  48. As Japanese gardens tend to be sparsely planted, the spaces around the plants are as important as the plants themselves. This can also help to manipulate the perspective to create the illusion of a bigger garden. Space is organised and connected, whether that’s with a carefully positioned vertical like a tree or the placement of a series of smooth stones. Hard landscaping materials include gravel, rocks and stepping stones. The balance of space between things (known as ‘ma’) is just as vital as the objects themselves in the overall scheme. Source: Internet
  49. Tea gardens: Imagine combining Britain’s favourite beverage with a Japanese garden, and you’ll have the place that everyone wants to go for a tea party. With the right design, you can create the infamous tea houses in Japan. We can even build you a unique structure. Source: Internet
  50. The combination of serenity and natural beauty make Japanese gardens a popular choice of style. Often incorporating water features, evergreen shrubs, and delicate flowers, this exotic garden style is popular around the world, and many public parks have been inspired to add their own tranquil, Japanese style spaces. At Floral & Hardy, we have experience of Japanese garden design and can bring a little bit of this beautiful country to your own backyard. Source: Internet
  51. According to David A. Slawson, many of the Japanese gardens that are recreated in the US are of "museum-piece quality". He also writes, however, that as the gardens have been introduced into the Western world, they have become more Americanized, decreasing their natural beauty.[76] Source: Internet
  52. According to garden historians David and Michigo Young, at the heart of the Japanese garden is the principle that a garden is a work of art. "Though inspired by nature, it is an interpretation rather than a copy; it should appear to be natural, but it is not wild."[50] Source: Internet
  53. Architecture: Chinese gardens have buildings in the center of the garden, occupying a large part of the garden space. The buildings are placed next to or over the central body of water. The garden buildings are very elaborate, with much architectural decoration. In later Japanese gardens, the buildings are well apart from the body of water, and the buildings are simple, with very little ornament. The architecture in a Japanese garden is largely or partly concealed. Source: Internet
  54. Some modern Japanese gardens, such as Tōfuku-ji, designed by Mirei Shigemori, were inspired by classical models. Other modern gardens have taken a much more radical approach to the traditions. One example is Awaji Yumebutai, a garden on the island of Awaji, in the Seto Inland Sea of Japan, designed by Tadao Ando. It was built as part of a resort and conference center on a steep slope, where land had been stripped away to make an island for an airport. Source: Internet
  55. Selection and subsequent placement of rocks was and still is a central concept in creating an aesthetically pleasing garden by the Japanese. During the Heian period, the concept of placing stones as symbolic representations of islands – whether physically existent or nonexistent – began to take hold, and can be seen in the Japanese word shima, which is of "particular importance [...] because the word contained the meaning 'island'". Furthermore, the principle of kowan ni shitagau, or "obeying (or following) the request of an object", was, and still is, a guiding principle of Japanese rock design that suggests "the arrangement of rocks be dictated by their innate characteristics". The specific placement of stones in Japanese gardens to symbolically represent islands (and later to include mountains), is found to be an aesthetically pleasing property of traditional Japanese gardens. Source: Internet
  56. [...]while the cult of stones is also central to Japanese gardening [...] as stones were part of an aesthetic design and had to be placed so that their positions appeared natural and their relationships harmonious. The concentration of the interest on such detail as the shape of a rock or the moss on a stone lantern led at times to an overemphatic picturesqueness and accumulation of minor features that, to Western eyes accustomed to a more general survey, may seem cluttered and restless. Thomas Heyd, Encyclopædia Britannica, Garden and Landscape Design: Japanese[36] Source: Internet
  57. Japanese gardens also follow the principles of perspective of Japanese landscape painting, which feature a close-up plane, an intermediate plane, and a distant plane. The empty space between the different planes has a great importance, and is filled with water, moss, or sand. The garden designers used various optical tricks to give the garden the illusion of being larger than it really is, by borrowing of scenery ("shakkei"), employing distant views outside the garden, or using miniature trees and bushes to create the illusion that they are far away.[70] Source: Internet
  58. The Imperial gardens of the Heian period were water gardens, where visitors promenaded in elegant lacquered boats, listening to music, viewing the distant mountains, singing, reading poetry, painting, and admiring the scenery. The social life in the gardens was memorably described in the classic Japanese novel The Tale of Genji, written in about 1005 by Murasaki Shikibu, a lady-in-waiting to the Empress. The traces of one such artificial lake, Osawa no ike, near the Daikaku-ji temple in Kyoto, still can be seen. It was built by the Emperor Saga, who ruled from 809 to 823, and was said to be inspired by Dongting Lake in China.[16] Source: Internet
  59. In the late 16th century, a new art was developed in the Japanese garden; that of ōkarikomi (大刈込), the technique of trimming bushes into balls or rounded shapes which imitate waves. According to tradition this art was developed by Kobori Enshū (1579–1647), and it was most frequently practiced on azalea bushes. It was similar to the topiary gardens made in Europe at the same time, except that European topiary gardens tried to make trees look like geometric solid objects, while ōkarikomi sought to make bushes look as if they were almost liquid, or in flowing natural shapes. It created an artistic play of light on the surface of the bush, and, according to garden historian Michel Baridon, "it also brought into play the sense of 'touching things' which even today succeeds so well in Japanese design."[43][44] Source: Internet
  60. The ideas central to Japanese gardens were first introduced to Japan during the Asuka period ( c. 6th to 7th century). Japanese merchants witnessed the gardens that were being built in China and brought many of the Chinese gardening techniques and styles back home. Source: Internet
  61. Karesansui gardens (枯山水) or Japanese rock gardens, became popular in Japan in the 14th century thanks to the work of a Buddhist monk, Musō Soseki (1275–1351) who built zen gardens at the five major monasteries in Kyoto. These gardens have white sand or raked gravel in place of water, carefully arranged rocks, and sometimes rocks and sand covered with moss. Their purpose is to facilitate meditation, and they are meant to be viewed while seated on the porch of the residence of the hōjō, the abbot of the monastery. The most famous example is Ryōan-ji temple in Kyoto. Source: Internet
  62. But, as much as this garden is about aesthetics, it’s also about expression. Walk by rocks that symbolise mountains, listen to water that symbolises the sea, tread on pebbles that symbolise the beach and cross over a bridge that symbolises the journey of life. Learn more from the audio tour in the Candide app. Source: Internet
  63. The small space given to create these gardens usually poses a challenge for the gardeners. Due to the absolute importance of the arrangement of natural rocks and trees, finding the right material becomes highly selective. The serenity of a Japanese landscape and the simple but deliberate structures of the Japanese gardens are a unique quality, with the two most important principles of garden design being "scaled reduction and symbolization".[30] Source: Internet
  64. Large evergreen shrubs are popular in Japan, and they usually make a good base for any garden. In Japanese garden design, they often use oak, cherry, or willow trees, which can also be a lovely, low maintenance option for medium to large gardens. You can then add flowerbeds or pots with azaleas, camellias, and Japanese iris, or any small, delicate flower that adds a burst of colour. Source: Internet
  65. The fat buds of camellias burst into bloom at the bleakest time of year, making them one of the most welcome Japanese garden ideas. The flamboyant flowers come in mostly red, pink and white. Their exquisite gently ruffled blooms add a vivid splash of colour in late winter and early spring and bring joy as there's little else around. Source: Internet
  66. The Momoyama period also saw the development of chanoyu (tea ceremony), the chashitsu (teahouse), and the roji (tea garden). Tea had been introduced to Japan from China by Buddhist monks, who used it as a stimulant to keep awake during long periods of meditation. The first great tea master, Sen no Rikyū (1522–1591), defined in the most minute detail the appearance and rules of the tea house and tea garden, following the principle of wabi (侘び, "sober refinement and calm") "sober refinement and calm".[23] Source: Internet
  67. Before understanding what not to do in a Japanese garden, here's a quick review of the guiding design principles of the Japanese garden style. The following elements: asymmetry, balance, and serenity, are your best guidance. Be purposeful but avoid cliché. Source: Internet
  68. Add a Japanese style bridge to give your garden a distinctive look. Your garden doesn’t need to be huge or have a stream running through it, as the bridge traditionally represented the journey from the mortal world to the afterlife. It can add structure and connect different areas within your modern Japanese garden. Source: Internet
  69. ‘Japanese gardens are based around a love and reverence for nature and especially trees of all kinds,’ explains Monty Don, who’s a big fan and has written a book called Japanese Gardens. ‘But no tree in a Japanese garden of any style is ever left to grow unpruned or untrained in order to try to capture the perfect essence of nature.’ With Japanese garden design the range of styles and ideas is controlled but that doesn’t mean there aren’t many ways of expressing your personality within this framework. Source: Internet
  70. : Smaller gardens are often designed to incorporate borrowed scenery, the view of features outside the garden such as hills, trees or temples, as part of the view. This makes the garden seem larger than it really is. Asymmetry: Japanese gardens are not laid on straight axes, or with a single feature dominating the view. Buildings and garden features are usually placed to be seen from a diagonal, and are carefully composed into scenes that contrast right angles, such as buildings with natural features, and vertical features, such as rocks, bamboo or trees, with horizontal features, such as water.[49] Source: Internet
  71. In 612 CE, the Empress Suiko had a garden built with an artificial mountain, representing Shumi-Sen, or Mount Sumeru, reputed in Hindu and Buddhist legends to be located at the centre of the world. During the reign of the same Empress, one of her ministers, Soga no Umako, had a garden built at his palace featuring a lake with several small islands, representing the islands of the Eight Immortals famous in Chinese legends and Daoist philosophy. This Palace became the property of the Japanese Emperors, was named "The Palace of the Isles", and was mentioned several times in the Man'yōshū, the "Collection of Countless Leaves", the oldest known collection of Japanese poetry. Source: Internet
  72. Work with the clean simple lines that are already there in the structure of your garden. Screen the perimeter and shield your garden boundaries with planting to provide a sense of privacy. Bamboo is perfect for this job, and the dappled light that filters through the leaves will contribute to the magic. Source: Internet
  73. Miniaturisation: The Japanese garden is a miniature and idealized view of nature. Rocks can represent mountains, and ponds can represent seas. The garden is sometimes made to appear larger by forced perspective: placing larger rocks and trees in the foreground, and smaller ones in the background. Source: Internet
  74. A gravel and rock garden often feature in Japanese garden ideas and make a stunning visual impact. An underused corner could be the perfect spot to introduce this Japanese garden inspiration. Just make sure that your chosen spot is flat and not on a slope. Source: Internet
  75. A cascade or waterfall is an important element in Japanese gardens, a miniature version of the waterfalls of Japanese mountain streams. The Sakuteiki describes seven kinds of cascades. It notes that if possible, a cascade should face toward the moon and should be designed to capture the moon's reflection in the water.[32] It is also mentioned in Sakuteiki that cascades benefit from being located in such a manner that they are half-hidden in shadows. Source: Internet
  76. Escape into nature, ignite your imagination and welcome a 'Zen' state of mind – something at the heart of this Cornish garden’s soothing design. The Garden or 'Shakkei' (meaning 'borrowed scenery from beyond') is just one of 10 themed garden rooms set within glorious parkland. The peaceful site overlooks 'borrowed' views of the wildflower meadow and lake and houses an authentic tea pavilion. It’s filled with plants from Japan’s Kyoto Botanical Garden including the striking Prickly Ash and Japanese Rice Paper ‘Champion Trees’ - the largest of their species. Source: Internet
  77. A water feature of some kind is essential. Ponds of koi carp are often seen in large Japanese gardens, along with cascades, waterfalls and streams spanned by a low, arched bridge. Bodies of water are often navigated by stepping stones or raised decking paths. If you don’t have the space for a large water feature, try a bamboo deer scarer or a stone basin fed by a bamboo water spout. Source: Internet

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# Video | Japanese Style Garden Ideas Uk

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Reference:
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